Campo

ID: #2318 | TOP 200 | Romanticismo | Paisajes

Año de creación: 1826
Versión: oil on canvas
Original guardado: National Gallery, London, UK

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La imagen también conocida como el campo de cereales es un recuerdo de la feliz infancia del pintor en Suffolk. A la izquierda se encuentra un niño que bebe agua del arroyo. La imagen es una pequeña libación para el sabor de la época (Constable tuvo problemas para vender las imágenes y, por lo tanto, el concepto de esta imagen decidió acomodar el gusto general). Sin embargo, no resta valor a su campeonato y genio (ver, por ejemplo, la atmósfera del cielo en esta imagen).

Constable pintó un cuadro Campo en el año 1826. Los colores predominantes de esta imagen son verde y tu formato es retrato. La ubicación del cuadro original es National Gallery, London, UK. Si lo desea, imprimimos una reproducción de esta imagen. Puedes elegir el tamaño y el diseño de la reproducción.

John Constable (1776 - 1837). English painter during Romanticism. He was the son of a miller in Suffolk County and since childhood, he dreamed of becoming one of the best landscape painters of the 19th century. At last, painting really became the sole purpose of his existence. In December 1817, he moved to London with his wife, and there the first of their seven children was born. Children then followed almost invariably each year, but it was very difficult and exhausting to feed such a large family. Landscape painting was not recognized nor a much profitable profession in England in the 19th century. John and Mary worked very hard, which later destroyed their health. Despite this, however, gradually the first significant successes arrived. In 1819, John Constable became an associate member of the Royal Academy of Arts.
Two years later, he painted his most famous work Hay Wagon. He exhibited it in London, but he came to fame in 1824 when this image received the gold medal at the Salon in Paris. The local appraisal was full of recognition, but in England his work was viewed with reserve. A year later, although he was accepted as a full member of the Royal Academy of Arts, he exhibited a grim picture, Hadleigh Castle, which expressed grief over the death of his wife. He entrusted their seven children to a nurse, but he still cared for them very well and conscientiously. A very renowned piece is Wivenhoe Park of 1816. In 1833, however, he fell ill and was greatly plagued by old age. To conserve his strength, he painted only less demanding watercolours. Finally, Constable died after a stroke in 1837. His paintings were sold for a small amount auction, and his work achieved recognition many years later.