Hay wagon

Date: 1516
Medium: panel
Location: Museo del Prado, Madrid
Dimensions: 200 x 135

The triptych was part of a six triptychs, which collected the Spanish King Philip II (1570). Later it was sold and divided into three pieces - Central panel owned by Isabella II., Right panel went to the royal palace of El Escorial and the left panel to Prada. In 1914, all three panels exhibited side by side. In the folded state were often triptychs painted Dutch authors - this is composed captures Traveler (way of life) and ongoing haymaking . One of the interpretations of the theme is that despite the temptation (scenes of various sins and punishments in the picture) is to be going the right way and nesejít it. The logic of the entire triptych is similar to Garden of Earthly Delights: left paradise, the creation of people, original sin and the expulsion from paradise, amid drawn wagon loaded with hay fanciful beings to hell. People try out the hay wagon grab. In the crowd we find the pope or the emperor. On a wagon is an angel who only turned his eyes to heaven, from which the Savior watching the whole scene. On the right is naturally Hell. Dating analysis was determined dendrologickým wood boards.

Bosch painted picture Hay wagon in 1516. Prevailing color of this fine art print is brown and its shape is landscape. Original size is 200 x 135. This art piece is located in Museo del Prado, Madrid. This image is printed on demand - you can choose material, size and finishing.

Hieronymus Bosch (1450 -1516). Dutch painter whose real name is Jheronimus van Aken (his name is derived from the city s-Hertogenbosch). He came from a family of painters - his grandfather and uncles were all painters. Much of his work is devoted to sin and human moral failure. Bosch painted demons, half-human creatures, to evoke fear and unearth the evil hidden in man. He became famous mainly for his triptychs (the most famous is the Garden of Earthly Delights. He was the first who created and worked with the world of dreams, fantasy creatures, nightmares and fears, as a response to former medieval religious ideas (about deadly sins, a naturally sinful humanity, hell and eternal damnation).

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